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Palace of Wonders: A Very Strange Brew

POW
Jill Fisher and James Taylor at the Showbar on H Street, a spinoff from
Baltimore's defunct Dime Museum. (By Nikki Kahn -- The Washington Post)

By Adriane Quinlan
Washington Post Staff Writer
Friday, July 7, 2006

With his mutton-chop sideburns and red bolo tie, James Taylor, the impresario behind the Showbar Palace of Wonders -- a brick townhouse in Northeast that houses a vaudeville stage, a museum of oddities and a full bar -- looks like a 19th-century carnival barker. But his pitch is crafted for our modern age:

"See the world's largest example of obsessive-compulsive disorder!" he booms, waving his hand toward a bank of glass cabinets stuffed with vintage sideshow props -- miniature mummies, a stuffed unicorn, the remains of mermaids and a teensy village carved of human bones. "See mania run riot! See a glo-o-o-orious mess!"

Partner, bartender and sideshow alum Jill Fisher, her arms covered in tattoos, scrambles to tack labels on the midway oddities Taylor has amassed here at 1210 H St. NE, in preparation for tonight's grand opening. Though the display upstairs hasn't yet opened to the public, for just over two weeks the long pine bar downstairs has welcomed a steady trickle of the curious, who come for the booze and stay for the corn dogs, old-fashioned organ, sword-swallowing bartender and two-headed cow stuffed and mounted on the back wall.

On a stage nearby, chocolate-brown velvet curtains hang ready to be pushed aside by tonight's lineup -- which includes burlesque. But this isn't the strip-club stuff seen at the other Show Bar in town, on M Street NW; here it's a retro-chic display of mild sexuality that is more about hip vintage costumes and clunky tricks on roller-skates than exposed skin.

The bar's buttery soft light and raw-brick walls, cluttered like a freakshow TGI Friday's, make the Palace of Wonders feel like grandmother's attic. An orange tabby cat paws the upstairs door that leads out onto a smokers' porch painted like a circus tent.

"You can't have a museum," Taylor claims, "without cats."

The American Dime Museum, up in Baltimore, was the first public venue for Taylor's immense collection of vaudeville props-- hundreds of "see-it-here-only-folks" items including voodoo dolls, cursed necklaces, the severed trigger finger of Pancho Villa and the purported "Head of Mozart as a Child." After financial difficulties and squabbles with his founding partner, Taylor, 55, left that museum, stashed the collection at his Baltimore home, and hooked up with developer-impresario Joe Englert, who helped revitalize the U Street nightlife scene and now is steadily gentrifying the H Street strip ravaged by the 1968 riots. The Showbar is one of a string of themed watering holes, including the Argonaut (nautical), the Beehive (Mexican), and the Red and the Black (Cajun), wedged between check-cashing spots and liquor stores.

"If only I had a dollar every time I heard someone say, 'We're creating a new bohemian culture here,' " says Fisher, who helped convert a gutted hair salon into the Showbar, down to the last sprinkle of gold glitter dusting the floor. "We get all kinds of people here -- not just hipsters from Northwest or people from the neighborhood . . . I'll be tending bar and I'll be like, 'Who is that?' and there will be a lady at the end with a bandanna and a mustache."

"This is a state fair plopped inside a bar, 365 days per year," Englert says, jesting that he should go so far as to pump in the scent of fried food, because "everyone loves fried dough." (There is no kitchen; corn dogs are microwaved.)

The museum hopes to succeed where the Dime failed by adding alcohol to oddity. "It's the blood, but not the heart," Taylor said. "We're following the success formula that for 105 years was how Barnum made his money. It's a hell of a lot of ballyhoo and tons of chutzpah."

In that tradition, the opening ceremony demands a stiff cover ($15) for a peek at a burlesque dancing duo called Trixie Little and the Evil Hate Monkey, who will do the act that won them the Best Burlesque Duo at the Miss Exotica 2006 competition. Trixie dances almost innocently while her lumbering, hairy-chested male friend (in monkey ears and a glittery vest) unleashes a series of fiendish tricks.

Also on view will be a woman who swallows swords; a bullwhip-wielding guy who calls himself "the reincarnation of Buffalo Bill"; Professor "Otto KnowBetter," who is said to be the only human known to chew dry ice; and Todd Robbins, dean of the Coney Island Sideshow School, who will emcee and also perform.

"I will bite into a lightbulb and chew into the broken glass," Robbins said. "That's what D.C. needs. That's the one thing missing."

"Englert always says, 'James, you give them too much,' " Taylor says. "But I just want a place to sit and drink a beer next to the freakiest stuff in the world."

He is a sideshow purist; he isn't happy about young people who cast a condescending gaze that reduces vaudeville to an ironic relic. Re-creations of old vaudeville traveling acts like the Bindlestiff Family Cirkus are reviewed in the Village Voice and perform at the Birchmere. . At the 9:30 club, a PG-13 "Burlesque-fest" is backed by the band DeVotchKa, whose polka-rock graces the soundtrack for "Everything Is Illuminated."

"My contention about this business is that it not be just something to appeal to hipsters," Taylor says. "I pitch to the widest audience because carnival is family entertainment."

On Sundays, the place will be open for children, who may enjoy seeing the pickling jar upstairs that houses the 10-inch-high head of a python. There's a story attached, of course. At Taylor tells it, the snake was infamous for killing its owner-- Sailor Katzy, a Florida carnival showman who worked in the 1960s. Katzy's wife arrived on the scene, saw her strangled husband's body, saw the snake staring down guiltily from a tree, and called in police, screaming, "Don't touch that snake, don't touch that darn snake!" While Sailor Katzy's act had been steadily failing, his widow toured with the cold-blooded culprit -- hawking it as "The Snake That Killed Sailor Katzy."

"She made a gazillion dollars," Taylor says, almost choking up.

It's a lesson in something. Revenge? Reincarnation? Show business?

"I'm gonna make my fortune someday," Taylor muses. "They'll be touring me after I'm dead and saying, 'Here's the head of the carney who started the Palace of Wonders!'"

But first, he must survive the tough jungle of redevelopment on H Street.

© 2006 The Washington Post Company


Sideshow or Rock Show? On H St., You Decide

There are two new venues on H Street NE offering a serious choice on Saturday nights: Would you rather watch an up-and-coming local rock band or someone lie on a bed of nails? Click to read article


Shocked & Amazed Volume 8
August 2005, 124 pages, $19.95
click to order
  • The willing suspension of disbelief is what makes amusements, well, amusing. Listen as James Taylor explains it all in CUTTIN' UP JACKPOTS

  • Fabulous Frieda Pushnik was more than a lady with no arms and legs. She was a Palmer penmanship pro, a painter and a crochet aficionado. You could easily say she was DISARMINGLY TALENTED

  • Giant rats, gypsies, and the most famous three-legged man of them all! If that sounds like your ideal summer job, well then you sound just like our pal, Walt Hudson. He's our very own CONEY ISLAND BABY

  • The Fischers were huge stars! Professionally they were known as the World's Only Giant Married Couple. Enjoy a quick peek into THE FISCHERS FOTO FILE

  • You'll never meet a character more colorful than Red Stuart. He's a true-blue-through-and-through carnie. Sometimes, he's rolling in the green. While other times, a black cloud seems to hang over his head. One thing is for certain, he would absolutely want you to HAVE A RED ONE

  • Don't doubt our veracity! We verily aver these Victorian variety amusements are available for viewing in THE STRAND

  • Don Boles (aka Rex Dane) was a midnight movie mentalist and magician in addition to being MENTAL AS ANYTHING

  • These girls really know how to turn heads! Everyone slows down to take a gander at them. Don't be embarrassed if they catch you RUBBER NECKING

  • Everything old is new again. And it doesn't get much older than the Renaissance. But it doesn't get much newer than the Renaissance Faire, either. Join Jeffrey Siegal as he explains the evolution of the olde. Oh, and you can ask questions along the way. He's FAIRE GAME

  • Love! Romance! Betrayal! Sappiness! You're in for this and so much more when we return to the golden age of comics and examine why we are DRAWN TO CARNIES

  • Don't call one of those animal advocacy groups. No Pulex Irritans were harmed in the publication of this periodical. These vivacious vermin are simply chomping at the bit to have their stories told here. Why, I'll be doggone if these petite performers aren't FLEAS TO MEET YOU

  • Who wouldn't welcome a return to the good ole days of genteel popular amusement? You know, back when the unwashed masses weren't nearly so unwashed. Since said era never truly existed, you'll have to forgo turning back the hands of time and instead try TURNING ON A DIME

  • Without sounding too world-weary, we've seen some very strange things in our time. But the almost human gorilla is the top banana of bizarre. Don't believe me? Well, I'll be a MONKEY'S UNCLE

  • Now the world don't move to the beat of just one drum. What's right for you, might not be right for some. Lee Kolozsy embrace both worlds in VIVE LE DIFFERENCE......

  • It's time to bring out the big guns! And guns don't get much bigger than cannons. And the number-one-with-a-bullet fav of audiences everywhere was The Great Wilno. Let him tell you about spending his life staring down the barrel of a gun in NICE SHOT

  • Blinky, Moss-ear, and No-Nose love this piece. Of course, I might be DROPPING NAMES

  • This way to the egress. We tell you exactly where to find the key to the midway in the BLOW OFF

  • Pry open your wallet and spend your cabbage in the INDEPENDENT MIDWAY

  • Just who did this? We point fingers at everyone in FRAMING THE SHOW

  • Talk is cheap. That's why, at no additional charge to you, we are able to provide you with LINGO

Odd Uncouple at the
American Dime Museum


    Don't Monkey Around... Order Now!
    click to order
    click for contents

    Volume 7 features
    Coney Island!

    Hurry, hurry, hurry! Step right up! Friends and fans of sideshow everywhere! Freakshows! Girl shows! Grind shows of every make and description! Headlesss women! Alligator boys! Ten foot, two-headed Egyptian mummy cave men! Daredevils to stop the heart in mid-flutter! Mysteries to beguile the innocent and confound the skeptic! Listen to the voice of a stranger! Your neighbors are enjoying the show right now!

    And how might that be? They're reading James Taylor's SHOCKED & AMAZED--On & Off the Midway, the only periodical devoted entirely to the great spirit of the shows, the only publication of its type anywhere. This is the only book to capture the thrills, excitement and mystery of the traditional back end shows of the carnival, the dime museums of a century ago, the roadside museums of today, and the human marvel shows of tomorrow.

    Don't Monkey Around... Order Now!
    click to order
    click for excerpts

    Volume 6 features
    Percilla the Monkey Girl!

    Every volume of SHOCKED & AMAZED is chock full of first-time, exclusive interviews with the showmen and performers themselves, features reprints of some of the greatest articles and stories about the shows ever written. And of course every issue is highlighted with dozens of never-before-published photos and original artwork. You'll see the acts as they're performed and the performers as they ready themselves for the shows and relax at home. SHOCKED & AMAZED is an unblinking look at the hows, whys and wherefores of a business whose sole purpose is fun, awe and wonderment, the business, "by tradition, half as old as time."

    Click to order
    click to order
    click for excerpts

    Volume 5 features Jim Rose!

    No book devoted to that boundless spirit could get it all between two covers, and no mere magazine could do it justice either. SHOCKED & AMAZED can do both... because it is both. Oversized in format and length, SHOCKED & AMAZED is that rarest of publications, a serial book. Taken together, the volumes of SHOCKED & AMAZED cover the shows in depth--the freak shows, the fat shows, the girl shows, illusion shows and traveling museums, wax shows, crime shows, pickled punk shows, even the athletic apes shows. You'll read about grind shows, pit shows and ding shows. X-ray shows. Iron lung shows. Posing shows. SHOCKED & AMAZED tells the tale of the business whose demise critics have been predicting your whole life, the business the politically correct have called "impolite" and "an embarassment," the business that knows the show must go on.

    Friends, the show is in town, and it's all between the covers of James Taylor's SHOCKED & AMAZED--On & Off the Midway . The lure of the midway is all here! Don't be left behind!


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