Details
In issue 200 of Aperture magazine, the English critic David Campany considers the dynamic work of British photographer Clare Strand; poet Max Blagg discusses Barney Kulok's latest project and writer Aaron Schuman revisits Mike Mandel's photo-baseball card project from the 1970s.
Other features include portfolios of emerging photographers and a series on New Orleans's Lower Ninth Ward, five years after Katrina. Author Michael Lesy contributes a media watch piece, and exhibition reviews include La Subversion des Images: Surrealism, Photography and Film; Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh; Street Seen: The Psychological Gesture in American Photography, 1940-1959; and international photography festivals in Lianzhou, China, and Bamako, Mali, among others.
Other features include portfolios of emerging photographers and a series on New Orleans's Lower Ninth Ward, five years after Katrina. Author Michael Lesy contributes a media watch piece, and exhibition reviews include La Subversion des Images: Surrealism, Photography and Film; Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh; Street Seen: The Psychological Gesture in American Photography, 1940-1959; and international photography festivals in Lianzhou, China, and Bamako, Mali, among others.
Additional Information
| Author | Melissa Harris (editor) |
|---|---|
| Publisher | self-published |
| Page Count | 88pp |
| Publication Size | 9.5 x 11.5 |
| Publication Notes | Perfect Bound, Color |
| Publication Date | September 2010` |
| ISBN | 978-1597111508 |
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