Surrealist cinema, as epitomised by Salvador DalÌ and Luis BuÒuelís Un Chien Andalou and LíAge díOr, was a knife through the very heart of the establishment; a scorpionic, scatological black joke galvanized by the irrational, the uncanny, and the spectre of de Sade. Learn More
Audrey Hepburn is an icon like no other, yet the image many of us have of Audrey—dainty, immaculate—is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. Learn More
BARBARA HAMMER has made over eighty films and video works over the past forty years. Her experimental films of the 1970s often dealt with taboo subjects such as menstruation, female orgasm, and lesbian sexuality. In the 1980s she used optical printing to explore perception and the fragility of 16mm film life itself. Learn More
An inspiring, tell-all look at the indie film business from one of the industry’s most passionate producers, Hope for Film captures the rebellious punk spirit of the indie film boom in 1990s New York City, its collapse two decades later and its current moment of technology-fueled regeneration. Learn More
Each week, the writers of The A.V. Club issue a slightly slanted pop-culture list filled with challenging opinions (Is David Bowie's "Young Americans" nearly ruined by saxophone?) and fascinating facts.