UKIYO-E - "images from the floating world” - were the most popular art-form of 19th century Japan. Like modern-day manga, these prints could be mass-produced and were admired by people from all sectors of society; and as in manga, the art of ukiyo-e included significant sub-genres dealing in violence, erotica and horror.
In the late 19th and early 20th century, several Western writers who visited the newly-opened Japan assimilated, translated and published a host of weird, scary and stirring stories from the country's ancient folklore. Learn More
Tino "Rosie "Camanga (1910- ?) came to Honolulu from his native Phillippines sometimes prior to World War II. After observing fellow Filipinos tattooing in the many shops in the downtown/ Chinatown area, in 1944 Rosie was granted a part-time job, and began a career birthed in wartime Honolulu and that lasted until the 1990s. Learn More
Kawanabe Kyosai (1831-89) was only 6 years old when he joined the school of the great ukiyo-e master Utagawa Kuniyoshi, along with such fellow pupils as Yoshitoshi, who followed him in 1850. Learn More
The place of tattoos in the cultural milieu of China and Japan today parallels their standing in society in the west in many ways; associations with gangs, outlaws and degenerate subcultures are commonly held perceptions. Learn More