"And for God's sake, don't let me ever hear you say, 'I can't read fiction. I only have time for the truth.' Fiction is the truth, fool! Ever hear of 'literature'? That means fiction too, stupid." -John Waters
A ferocious debut that puts Frank Bill’s southern Indiana on the literary map next to Cormac McCarthy’s eastern Tennessee and Daniel Woodrell’s Missouri Ozarks. Learn More
Daphne du Maurier wrote some of the most compelling and creepy novels of the twentieth century. In books like Rebecca, My Cousin Rachel, and Jamaica Inn she transformed the small dramas of everyday life—love, grief, jealousy—into the stuff of nightmares. Less known, though no less powerful, are her short stories, in which she gave free rein to her imagination in narratives of unflagging suspense. Learn More
Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room . . . Learn More
Drug dealers are dropping like flies on the east side of Baltimore. One homicide detective sees the connection between the brutal slayings but is dismissed at any mentioning of it. Risking career suicide he pursues what he believes is a vigilante killer.
Learn More
At the beginning of the 19th century, higher standards of education, the invention of fast and efficient printing presses, and cheap paper production combined to create a new, mass market for literature in England: sensationalistic, graphic "shilling shockers” for the masses. Learn More