"And for God's sake, don't let me ever hear you say, 'I can't read fiction. I only have time for the truth.' Fiction is the truth, fool! Ever hear of 'literature'? That means fiction too, stupid." -John Waters
HER FAMILIARS is Jane Satterfield's third book of poetry. This collection winds its way through civilization, history, and popular culture like a newly imagined animal and becomes a "familiar" to every reader. Learn More
Allen Ginsberg's Howl & Other Poems was originally published by City Lights Books in the fall of 1956. Subsequently seized by U.S. Customs and the San Francisco police, it was the subject of a long court trial at which a series of poets and professors persuaded the court that the book was not obscene.
When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character.
Sensual, earthy love poems that formed the basis for the popular movie Il Postino, now in a beautiful gift book perfect for weddings, Valentine's Day, anniversaries, or just to say "I love you!" Learn More
A man disappears. The woman who loves him is left scarred and haunted. In her fierce, one-of-a-kind debut, Rebecca Lindenberg tells the story—in verse—of her passionate relationship with Craig Arnold, a much-respected poet who disappeared in 2009 while hiking a volcano in Japan. Lindenberg’s billowing, I-contain-multitudes style lays bare the poet’s sadnesses, joys, and longings in poems that are lyric and narrative, at once plainspoken and musically elaborate. Learn More
Lunch Poems, first published in 1964 by City Lights Books as number nineteen in the Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry. Learn More
Frank O’Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, “which, by its vitality alone, became the dominant force in the American poetic tradition.”