Details
A collection of the moments usually discarded in order to tell even the simplest and most familiar story, Western presents us with the world behind the clichés, where the much-anticipated violence of the plot is continually, maddeningly delayed, and no moment is too insignificant not to be valued. Montalbetti’s daring theft of movie technique and subversion of a genre where women are usually relegated to secondary roles—victims, prostitutes, widows, schoolmarms—makes Western a remarkable wake for the most basic of American mythologies.