MUSIC WE LIKE (MOSTLY)

Hardcore reading. Learn More

Twenty-eight years after its original release, The Clash’s London Calling was inducted into the Grammy Hall of Fame as a “recording of lasting qualitative or historical significance.” It topped polls on both sides of the Atlantic for the best album of the seventies (and eighties) and in publications as wide-ranging as Rolling Stone, VIBE, Pitchfork, and NME, and it regularly hits the top ten on greatest-albums-of-all-time-lists. Even its cover—the instantly recognizable image of Paul Simonon smashing his bass guitar—has attained iconic status, inspiring countless imitations and even being voted the best rock ’n’ roll photograph ever by Q magazine. Learn More

Henry Rollins returns to the combative prose that has won him critical acclaim and a legion of devoted fans. Learn More

The first book-length exploration of the wildly adventurous music created in the years after punk. Learn More

The influential Detroit "anti-rock" group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. Learn More

Still going after thirty years, The Fall are one of the most distinctive British bands, their music - odd,spare, cranky and repetitious - an acknowledged influence on The Smiths, The Happy Mondays, Nirvana and Franz Ferdinand. Learn More

We Do Our Part. Learn More

We Do Our Part. Learn More

We Do Our Part. Learn More