John Taylor, Duran Duran’s co-founder, takes the reader on a wild ride through his life. From the eighties through today, from Rio to All You Need is Now, John writes about the music, the parties, and the MTV videos that made millions swoon.
In Industrial Evolution Mick Fish takes us on a journey through the eighties courtesy of the Sheffield music scene of Cabaret Voltaire, the Human League, ABC, Clock DVA, Hula and The Box, offsetting it against a background of rampant Conservatism and local authority politics. Learn More
Each week, the writers of The A.V. Club issue a slightly slanted pop-culture list filled with challenging opinions (Is David Bowie's "Young Americans" nearly ruined by saxophone?) and fascinating facts.
Queen's success in the 1970s was accompanied by a taste for musical and non-musical excess. Is This the Real Life? draws on eyewitness testimonies--former producers and managers, ex-girlfriends and boyfriends--to create a complete picture of one of the world's most ambitiously driven rock bands at work and at play. Learn More
Kicks magazine began in 1978 as a fanzine devoted to obscure rock, soul and rockabilly, and was the first collaboration between vinyl-hound Billy Miller and Miriam Linna, the original drummer for The Cramps. Learn More
Listen to This—which collects Alex Ross’s finest writing for The New Yorker since 1994—is the rare book that moves across the entire landscape of music, from classical to rock and back again. Learn More
This book is a concise, evocative, and thoroughly researched study of one of the great rock'n'roll pioneers. After “Tutti Frutti," Little Richard began garnering fans from both sides of the civil rights divide. He brought black and white youngsters together on the dance floor and even helped to transform race relations. Learn More
Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless. Learn More