MUSIC WE LIKE (MOSTLY)
The titles in this category are all about the different kinds of music we like. Well, mostly.
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Can't Stop Won't Stop: A History of the Hip-Hop Generation
$18.00Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. Learn More -
Cat on a Hot Thin Groove
$35.00On the long road to becoming an Oscar-winning animation director, Gene Deitch became an intense jazz fan. At the age of 21, he discovered The Record Changer magazine, a jazz collector's magazine filled with fanatical, scholarly, and purist essays about jazz as well as listings of hard-to-find jazz albums. Learn More -
Darkest America: Black Minstrelsy from Slavery to Hip-Hop
$26.95An exploration and celebration of a controversial tradition that, contrary to popular opinion, is alive and active after more than 150 years. Learn More -
Freedom, Rhythm and Sound: Soul Jazz Records Publishing
$39.95America's homegrown geniuses of jazz are featured in loving portraits in this distinctive set of trading cards. Learn More -
Funk And Soul Covers
$39.99Boogie wonderland! Grooving down memory lane: record covers that defined an era. Learn More -
Funk: The Music, The People, and The Rhythm of The One
$18.95Funk: It's the only musical genre ever to have transformed the nation into a throbbing army of bell-bottomed, hoop-earringed, rainbow-Afro'd warriors on the dance floor. Its rhythms and lyrics turned bleak urban realties inside out with distinctive, danceable, downright irresistable music. Learn More -
Hip Hop Board Book
$14.95Rap, Breakdance, Graffiti & DJ:ing - now for the very youngest! Learn More -
HIP HOP FILES: Photographs 1979-1984
$29.95Martha Cooper has the reputation of beeing the first and foremost photographer of emering Hip Hop culture in New York City. Learn More -
Hip Hop Stardom Magazine 101 #2 (Vol. 2)
$3.49The #1 Source for the "Underground", "indie" and UnSigned HipHop Stars! Learn More -
I Mix What I Like!: A Mixtape Manifesto
$14.95In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I Mix What I Like! is a revolutionary investigation of the cultural dimension of anti-racist organizing in the Black community. Learn More
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