Funk: It's the only musical genre ever to have transformed the nation into a throbbing army of bell-bottomed, hoop-earringed, rainbow-Afro'd warriors on the dance floor. Its rhythms and lyrics turned bleak urban realties inside out with distinctive, danceable, downright irresistable music.
Here Comes the Night is both a definitive account of the golden age of rhythm and blues of the early ’60s and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. Learn More
An authoritative history of the groundbreaking syndicated television show that has become an icon of American pop culture, from acclaimed author and filmmaker Nelson George, “the most accomplished black music critic of his generation” (Washington Post Book World).
In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I Mix What I Like! is a revolutionary investigation of the cultural dimension of anti-racist organizing in the Black community.
An incredible, meticulous reference documenting the massive musical output by the pioneering reggae legend, inventor of dub, and Marley collaborator who Keith Richards calls "the Salvador Dalí of music" Learn More
Noted music producer and scholar Pat Thomas spent five years in Oakland, CA researching Listen, Whitey! The Sights and Sounds of Black Power 1965-1975. While befriending members of the Black Panther Party, Thomas discovered rare recordings of speeches, interviews, and music by noted activists Huey Newton, Bobby Seale, Eldridge Cleaver, Elaine Brown, The Lumpen and many others that form the framework of this definitive retrospective. Learn More