Fifty years after they first came together and changed the sound of rock 'n' roll, the Grateful Dead remain one of rock's most beloved bands—a musical and cultural phenomenon that spans generations and paved the way for everything from the world of jam bands and the idea of independently released music to social networking. Much has been written about the band, but nothing quite as vibrant and vivid as So Many Roads.
In the wake of Modern Guilt and The Information, Beck’s latest project comes in an almost-forgotten form—twenty songs existing only as individual pieces of sheet music, never before released or recorded. Learn More
What will people think if you play Van Morrison at your funeral? When was the last time you listened to Pet Sounds? How does a mandolin solo illustrate or clarify the plight of Eskimos, anyway? Learn More
In 1979, Bruce Pavitt moved to Olympia, WA, and began programming a show called Subterranean Pop on local community radio station KAOS-FM. Inspired by Olympia’s guide to independent music, OP Magazine, Pavitt launched a fanzine version of Subterranean Pop, focusing on music with a punk, new wave, and experimental bent. Calvin Johnson of K Records joined the fanzine’s staff in 1980, beginning with the second issue. Learn More
When photographer Ann Summa arrived in Los Angeles in 1978, the city’s punk scene was still fresh, diverse, smart, utterly original—and fertile territory for a young photographer. The Beautiful & the Damned is a collection of her portraits of the musicians, artists and fans who made Los Angeles such a crucial part of the history of punk. Learn More