Every album cover tells a story. Some hint at the profound—spiritual, supernatural, or chemical explorations—or speak of the mundane—war, sex, comedy. Some are by far more interesting than the music itself. Learn More
Cover Story: Album Cover Art vividly explores an element of music culture that has withered with the advent of MP3s and digital downloading. Learn More
Legendary and iconic singer-songwriter Cyndi Lauper offers a poignant account of the journey that led her to become an international superstar—from her years growing up in Queens, New York, to the making of enduring hits like “Time After Time,” “Girls Just Want to Have Fun,” and “True Colors,” to becoming an actress, a mother, an outspoken activist, and maintaining a music career that has lasted more than thirty years.
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"Ziggy Stardust," "Changes," Under Pressure," "Let's Dance," "Fame," "Heroes," and of course, "Starman." These are the classic songs of David Bowie, the artist whose personas are indelibly etched in our pop consciousness alongside his music. He wrote and recorded with everyone from Iggy Pop to Freddie Mercury to John Lennon, sold 136 million albums, has one of the truly great voices, and influenced bands as wide-ranging as Nirvana and Franz Ferdinand. Learn More
From Las Vegas to Moscow, New York to Shanghai, DISCOMBOBULATED features fifty unbelievably true tales of high living and low-cost slumming, with a celebrity cast featuring Kylie Minogue, Take That, Paul Oakenfold, Fatboy Slim, Coolio, gangster Dave Courtney and many more. Learn More
Sharp as broken glass, smooth as a polished skull, dark as the other side of the moon -- this is the art of Brian Ewing, one of the leading-edge visual voices of graphic pop surrealism and the exploding rock-poster scene. Learn More
In Generation Ecstasy, Simon Reynolds takes the reader on a guided tour of this end-of-the-millenium phenomenon, telling the story of rave culture and techno music as an insider who has dosed up and blissed out. Learn More
What happened to Paul Nelson? In the '60s, he pioneered rock & roll criticism with a first-person style of writing that would later be popularized by the likes of Tom Wolfe and Norman Mailer as "New Journalism." As co-founding editor of The Little Sandy Review and managing editor of Sing Out!, he'd already established himself, to use his friend Bob Dylan's words, as "a folk-music scholar"; but when Dylan went electric in 1965, Nelson went with him. Learn More