This passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. Learn More
In the fall of 1982, celebrated photographer of the British music scene Janette Beckman moved to New York City, where she found hip hop on the edge of explosion. Learn More
Composer, bandleader, pianist, poet and philosopher, Sun Ra is one of the most colourful and enduring of musical legacies, transcending time, place and cultural genres. Learn More
Who is R. Kelly? Three-time Grammy winner, who has sold more than 35 million records worldwide. Legendary writer and producer, who collaborated with such music icons as Michael Jackson, Celine Dion, Jay-Z, and Aretha Franklin. Visionary cultural messenger, who created the hip hopera phenomenon Trapped in the Closet. Creative genius. Sex symbol. The man who puts the “R” in R&B. Learn More
The Los Angeles collective of hip hop skater kids known as Odd Future--or in full, Odd Future Golf Wang Kill Them All--has galvanized hip hop superstars, sneaker freaks, hipsters and cognoscenti alike with its dark, playfully aggressive sound. Learn More
Noted music producer and scholar Pat Thomas spent five years in Oakland, CA researching Listen, Whitey! The Sights and Sounds of Black Power 1965-1975. While befriending members of the Black Panther Party, Thomas discovered rare recordings of speeches, interviews, and music by noted activists Huey Newton, Bobby Seale, Eldridge Cleaver, Elaine Brown, The Lumpen and many others that form the framework of this definitive retrospective. Learn More
An incredible, meticulous reference documenting the massive musical output by the pioneering reggae legend, inventor of dub, and Marley collaborator who Keith Richards calls "the Salvador Dalí of music" Learn More
In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I Mix What I Like! is a revolutionary investigation of the cultural dimension of anti-racist organizing in the Black community.
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