In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I Mix What I Like! is a revolutionary investigation of the cultural dimension of anti-racist organizing in the Black community.
An incredible, meticulous reference documenting the massive musical output by the pioneering reggae legend, inventor of dub, and Marley collaborator who Keith Richards calls "the Salvador Dalí of music" Learn More
This passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. Learn More
In the Fall of 1980, Gil Scott-Heron was invited by Stevie Wonder to join him on a forty-one city tour across America that would end in Washington on January 15, 1981. The purpose of this tour was to raise popular support for the creation of Martin Luther King, Jr. Day, a national holiday that would honor the great civil rights leader. This holiday became official in 1986. Scott-Heron uses this history-making tour as the backbone of his fascinating memoir.