The use of mediums often associated with childhood mark-making (crayons, colored pens, markers), gives the book a simplistic sheen that belies the formal sophistication operating just beneath the surface.
On this surface, the reader is led by a quixotic, Buster Keaton-like figure through a kaleidoscope of crystalline memory fragments, coalescing into one narrative track. As this unnamed figure tries, with limited success, to be a typical American: using consumer products, failed vacations, fabricated family life, he also attempts to be a successful comic, much like the collection of pages he lives on.
The day to day saga is wet and alive with water colors, crayon, markers, and steady beats of spacious white deluges. Landscapes are populated with mountainous close-ups, cacti, abstracted-patterns, confusion, vast empty spaces, gaps -- cartooning as a potent puzzle where the strangest magic happens inside the reader's mind. Preview here.
“Rarely have magic markers worked such luminous brilliance.” -- Matt Seneca
"Weird, imaginative, and raw. Adams creates a textural experience leading you through the follies of his character's life." -- Aidan Koch
"A bloody Q- tip, the crumbs of a waffle and an airplane on fire...it all comes together with Christopher's unique drawing system. Is the comedian dreaming or is the comedy a dream?" -- Eamon Espey
“Like a Mr. Hulot transposed into the America of soft-serve and mini-golf, Adams’ comedian is a normal guy trying to deal with work and relaxation in a landscape of perplexing patterns.” -- Matthew Thurber